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A Restoration era play quarto from a collection compiled by the financier and book collector, Sir Isaac Lyon Goldsmid (1778-1859) and rebound by 'T Connolly' of Dublin. [8] pp79, collated and complete as per the English Short Title Catalogue. Bound in half vellum over marbled boards with black Morocco label with gilt lettering, last quarter of the… Read more…

A Restoration era play quarto from a collection compiled by the financier and book collector, Sir Isaac Lyon Goldsmid (1778-1859) and rebound by 'T Connolly' of Dublin. [4] pp1-52 and 55-62 [2]. The imprint has been torn off the title page but this copy appears to be ESTC Citation number R22736, printed for R Bentley and S Magnes, 1684, lacking lea… Read more…

A Restoration era play quarto from a collection compiled by the financier and book collector, Sir Isaac Lyon Goldsmid (1778-1859) and rebound by 'T Connolly' of Dublin. pp1-8 and 17-76 [4], no title page and gathering C is lacking. Bound in half vellum over marbled boards with black Morocco label, last quarter of the 19th century, binder's ticket o… Read more…

A Restoration era play quarto from a collection compiled by the financier and book collector, Sir Isaac Lyon Goldsmid (1778-1859) and rebound by 'T Connolly' of Dublin. [8] pp69 [3], collated and complete as per the English Short Title Catalogue, p32 misnumbered 30. Bound in half vellum over attractive marbled boards with black Morocco label, last… Read more…

A Restoration era play quarto from a collection compiled by the financier and book collector, Sir Isaac Lyon Goldsmid (1778-1859) and rebound by 'T Connolly' of Dublin. pp75 [1], collated and complete as per the English Short Title Catalogue. Bound in half vellum over marbled boards with black Morocco label, last quarter of the 19th century, binder… Read more…

A Restoration era play quarto from a collection compiled by the financier and book collector, Sir Isaac Lyon Goldsmid (1778-1859) and rebound by 'T Connolly' of Dublin. Collated, lacking 3 leaves (A1-3) including the title page. Bound in half vellum over attractive marbled boards with black Morocco label, last quarter of the 19th century, binder's… Read more…

A Restoration era play quarto from a collection compiled by the financier and book collector, Sir Isaac Lyon Goldsmid (1778-1859) and rebound by 'T Connolly' of Dublin. pp61 [3] adverts. Collated and complete as per the English Short Title Catalogue. Bound in half vellum over attractive marbled boards with black Morocco label, last quarter of the 1… Read more…

A Restoration era play quarto from a collection compiled by the financier and book collector, Sir Isaac Lyon Goldsmid (1778-1859) and rebound by 'T Connolly' of Dublin. [10] pp62, collated, no half title or advert leaf. Bound in half vellum over marbled boards with black Morocco label, last quarter of the 19th century, binder's ticket of 'T Connoll… Read more…

A Restoration era play quarto from a collection compiled by the financier and book collector, Sir Isaac Lyon Goldsmid (1778-1859) and rebound by 'T Connolly' of Dublin. pp64, collated and complete as per the English Short Title Catalogue. Bound in half vellum over attractive marbled boards with black Morocco label, last quarter of the 19th century,… Read more…

Documents from the estate of the conductor Sir Colin Davis relating to his wife's role as an Alexander Technique tutor at the Royal Academy of Music. Lady Davis is appointed to her post in the first letter from 1993 written by Dorothea Magonet and in the second Peter Shellard allocates her payments to the Alexander Technique Fund. Most interesting… Read more…

viii, pp 134. Scarce New Orleans reprint of Thomas' rare 1869 first edition of this study of what it describes as 'Creole "Patois" or "gombo French"' misleadingly dated 1869 on the title page, reproducing the original imprint from Port of Spain. Bound in publisher's pebbled black cloth with gilt title panel to upper cover, ownership inscription of… Read more…

pp 64 [2] adverts. Priestley pamphlet including the final advertisement leaf which promises still further publications by this prolific writer to include his Chart of Biography. Small Dutch institutional ink-stamp to verso of title page, browning to margins of title page. Bound in what may be the original blue-green paper wrappers, professionally r… Read more…

Colin Davis' lightly annotated conductor's score of the 'revived' version of William Walton's mini-masterpiece Façade with the conductor's initials in pencil to the upper cover. Large folio in green card wrappers of this new work created by the composer for his 75th birthday - using unpublished numbers from the original work. The title is written i… Read more…

pp 12 Early eighteenth century study of the vacuum published with the approval of Ezechiel Gallatin at the University of Geneva. Original marbled wrappers, stained affecting most leaves to some extent; leaves foxed and discoloured. Not a beautiful thing but Worldcat locates two institutional copies only, both in Switzerland. Read more…

[frontis] pp 108 Almost certainly spurious account of the 'shipwreck and sufferings' of Mrs Eliza Bradley, supposedly autobiographical, but borrowed in large part from Captain James Riley's 1816 account of his capture and exploits on the 'coast of Barbary'. The second Boston edition of 1823 bound in quarter roan over marbled paper covered wooden bo… Read more…

viii, pp88 [4] adverts. A humorous essay on drama followed by Stevens' Lecture upon Heads bound in contemporary quarter roan, chipped and worn to spine, over faded marbled boards. This the issue with a half title, first owner's signature 'Wm White Jun.r 1772' to the half title. Engraved vignette to the title page, lightly foxed and old stab sewing… Read more…

pp 33 [1] Freddie Ayer's 1988 lecture inscribed to his intimate friend and fellow Oxford philosopher Anthony Quinton on the upper card wrapper: 'To Tony from Freddie'. In his autobiography, Ayer records that Quinton supported him in his election to the Wykeham Professorship, and became his closest friend. Ayer's 1988 lecture was published in this o… Read more…

A large card folder of about 100 typescript pages consisting of copies of 31 British Government and other documents (dating from 1684-1948) dealing with the political status of various British Territories, and of linking text. This seems to be a working draft for one chapter of a publication as it contains many annotations, crossings out, and indic… Read more…

[Coloured Frontispiece] pp 12 A scarce Thomas Richardson juvenile imprint from Derby which dates from the 1830s and displays a hand coloured frontispiece. Bound in worn and torn printed wrappers which are chipped but largely complete, the text is good with a bright frontispiece showing two vignettes from the story which is based on a French origina… Read more…

[Vols I, II, V, VIII] Four volumes from an incomplete set of Henry Fielding's work, being the new edition of 1771, owned and bearing the bookplates of Edward Lascelles, first Earl of Harewood. Bound in a very handsome tree calf with neo-classical decoration to the boards and sun-bursts to the spine with red moroccos labels, the leather is now crack… Read more…

The Carmelite Leon Maes on the sin and the captivity of Saint Peter in an attractive speckled calf contemporary binding with speckled edges and wear to the head of the spine. The text is very clean with an old ownership signature on the title page. Read more…

The Coming of the Kings: A Christmas play in one act by Ted Hughes. The Dramatic Publishing Company, Chicago, 1972. Note in Frieda Hughes' hand on scrap of paper laid in "Hughes-play-1972, The Coming of the Kings". Near fine in card wrappers, a little soiling to front cover. Provenance: from the sale by Frieda Hughes, daughter of Sylvia Plath and T… Read more…

The Magic Apple Tree by Elaine Feinstein. Uncorrected proof copy, Hutchinson & Co Ltd, London, Provisional date 19th April 1971. Note in Frieda Hughes' hand on scrap of paper laid in "Feinstein 1971. The Magic Apple Tree. Uncorrected proof". Very good in card wrappers, staining to foot of front cover and a few pages. Feinstein was a close friend of… Read more…

Belonging to Ted Hughes' and Sylvia Plath's daughter, Frieda Hughes, inherited from her father: A souvenir programme of The Western Australian Theatre Company in Barry Kyle's Sylvia Plath: a dramatic portrait. Directed by David Addenbrooke. The Upstairs Theatre (Above Hayman Theatre) September-October 1975. Very good in lightly rubbed and creased b… Read more…

Belonging to Ted Hughes' and Sylvia Plath's daughter, Frieda Hughes, presumably inherited from her father: Critical Quarterly, Vol 13, No 2, Summer 1971. Pages 165-172 Sylvia Plath's 'Crossing the Water': Some Reflections by Ted Hughes. Note in Frieda Hughes' hand on scrap of paper laid in "Plath - 1971. Critical Quarterly Vol 13/No 2: Plath's 'cro… Read more…